Drama in berkisarkan mengenai Sameera dan Ishaak yang berkenalan semenjak zaman sekolah lagi hingga mereka saling jatuh cinta dan perjalanan hidup Ishaak yang memilih untuk menjadi artis dengan menggunakan nama Haque Zuhal.

Pelbagai rintangan yang mereka hadapi semenjak Haque terkenal. Kemuncak conflict apabila Haque memutuskan hubungan dengan Sameera dan perkenalan Sameera dengan Duda anak satu yang digelar netizen sebagai suami dai neraka.

Sebuah Drama yang mengetengahkan isu kesihatan mental seperti anxiety,depression, trauma, friendship dan kekeluargaan. Setiap karakter memaparkan satu sisi yang berbeza. Menyelami hati dan perasaan anak muda yang seringkali diperlekehkan oleh masyarakat dan keluarga dengan alasan mereka masih muda, atau jalan hidup yang mereka pilih itu salah di mata masyarakat. Menghukum bukan kah lebih senang daripada membela bukan? Mereka yang tidak diberikan pilihan, harus akur atau melawan? Sejujurnya, AD suka cerita ni, faham akan perasaan mereka. Connection cerita ni rasa kuat sungguh dengan AD. Tak sabar tunggu part 2 pula.

Sinopsis

Mengisahkan mengenai Jannah, yang berusia 16 tahun yang dijatuhi hukuman rehabilitasi di sebuah pusat tahanan keranan percubaan membunuh dirinya. Janna bertemu dengan Hadi, yang menghidap penyakit cystic fibrosis dan juga Amy (roommate Jannnah) serta Ucop (roommate Hadi). Keadaan pusat rehab yang diberi nama INSAN itu seolah olah penjara buat mereka dan keadaan persekitaran INSAN meragukan membuatkan mereka bertindak nekad untuk merancang untuk keluar daripada INSAN dengan apa cara sekalipun. 

 Diary of a Void by Emi Yagi is a compelling and darkly comedic exploration of how one woman’s lie forces her into a new identity, questioning society’s perception of womanhood, motherhood, and the roles women are expected to play in Japan. Yagi crafts a unique narrative that uses humor and satire to expose deep-seated cultural issues around gender and workplace dynamics.

Plot Overview: Shibata is a 34-year-old woman working in a Tokyo office, where she is overburdened with menial tasks because she's one of the few women there. Her male colleagues routinely push their "women’s work" onto her—everything from washing dishes to cleaning up the office mess. Frustrated by the unfairness, she impulsively announces that she's pregnant, believing it will offer her a reprieve from the additional responsibilities. The lie takes on a life of its own as Shibata realizes that pretending to be pregnant changes the way she's treated by those around her: she's given more respect, fewer demands, and even personal space—privileges she hadn’t experienced as a single, childless woman.

The novel unfolds as Shibata navigates the complexities of maintaining her lie, dealing with both the benefits and the isolating effects of living under this façade. Her “pregnancy” brings her a strange sense of purpose and empowerment as she explores the limits and privileges of this new, fictitious identity. She buys maternity clothes, researches prenatal exercises, and even adopts certain mannerisms of expectant mothers to keep up the illusion.

Themes and Social Commentary:

1. Gender Roles and Expectations: 

Yagi uses Shibata's fake pregnancy to examine how deeply ingrained cultural expectations around womanhood and motherhood dictate women's lives. Her colleagues, who once viewed her as expendable, suddenly treat her with greater care simply because they believe she’s fulfilling a traditional maternal role.

2. Workplace Dynamics: 

The novel critiques Japan’s patriarchal corporate culture. Shibata’s experience is emblematic of how women often receive little respect in male-dominated workplaces, highlighting issues around gender discrimination and the invisible labor women are often expected to perform

3. Isolation and Identity: 

As Shibata continues the charade, the lie isolates her, leaving her in a space between two identities—an expectant mother and a single woman. This duality forces her to question who she is beyond the expectations others place on her, touching on themes of self-perception, autonomy, and the lengths people go to escape societal pressures.

4. Freedom through Reinvention: 

Shibata's fake pregnancy offers her freedom from certain oppressive norms and responsibilities. The act of pretending to be someone else gives her an outlet for the frustrations she feels as a single woman in her thirties, a status that Japanese society can sometimes view with pity or suspicion. Through Shibata’s journey, Yagi probes whether self-worth can be truly independent of societal validation.

Yagi’s prose is spare, precise, and filled with a sharp wit that brings Shibata’s internal struggles and observations to life. The diary format gives readers an intimate look into Shibata’s thoughts, creating a sense of immediacy that enhances both the humor and pathos of her situation. Critics have praised Diary of a Void for its originality and its subversive take on societal issues, often drawing comparisons to novels like Convenience Store Woman by Sayaka Murata for its exploration of identity within strict social norms.

Diary of a Void is a bold and thought-provoking work, reflecting Yagi’s keen observations on societal expectations and the individual cost of conformity. It’s a powerful statement about how women navigate a world that constantly tries to define them, and how they might carve out space for themselves—even if through unconventional means.

Guts by Raina Telgemeier is a heartwarming and deeply relatable graphic memoir that skillfully addresses themes of anxiety, health, and growing up. Like Telgemeier’s other works (Smile and Sisters), Guts is rooted in her own life experiences, making it a sincere and personal story. The book is geared toward middle-grade readers, but its message is universal, resonating with anyone who has faced challenges with mental health or self-esteem.

The plot centers around young Raina as she navigates fifth grade, dealing with stomachaches and an ever-increasing sense of fear and worry. These aren’t just ordinary nerves—Raina begins to experience panic attacks and struggles with anxiety. As the story unfolds, the author explores how these feelings manifest physically, affecting her ability to eat and go about her daily life. With honesty and vulnerability, Telgemeier delves into the emotional complexities of Raina’s situation as she seeks therapy and learns to understand her body’s reactions to stress.

Telgemeier’s artwork is, as always, vibrant and expressive. The illustrations beautifully complement the narrative, especially in portraying Raina’s internal experiences—her anxiety is often depicted with swirling lines, dark shadows, and symbolic imagery that communicate the weight of her emotions. The blend of humor and earnestness in both the art and dialogue makes the story approachable without diminishing its seriousness.

What sets Guts apart is its candid treatment of mental health for young readers. Telgemeier doesn’t shy away from showing the messy, uncomfortable aspects of anxiety, but she also offers hope and practical insights about therapy, self-care, and the importance of talking about one’s feelings. Raina’s journey is one of self-acceptance, and the message that it’s okay to seek help is both powerful and necessary.

Overall, Guts is an essential read for children and adults alike. It’s a sensitive portrayal of how mental health issues can affect someone at a young age, and it offers a compassionate look at how to confront and manage those feelings. Telgemeier’s blend of humor, empathy, and honesty makes this graphic

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